Nautica is available in three weights and one set of icons and knots, making it a very useful script when you desire a variety of weights. Its ligatures and swashes are inspired by brush pen strokes. This original design based on Copperplate is a high contrast, narrow script with highly decorative caps and a very assertive personality. Nauticais a new design from Giuseppe Salerno and Paco González of Resistenza. Kinescope is perfect for packaging design and advertising, especially when you desire an informal, somewhat retro look. Kinescope’s OpenType glyph substitution features mimic hand lettering, automatically choosing the best character shape based on its position in a word.
It was inspired by hand-lettered titles in the Fleischer brothers’ Superman cartoon series: “Although I used that as a starting point, there was much room for interpretation, and many characters had to be invented,” explains Simonson. Kinescope is a dashing, 1940s-style, casual brush script by Mark Simonson. Matlack’s script was compact but legible, perfect for the first and most famous of American documents, and worthy of reviving for today’s digital applications. He also penned copies of a number of documents for General George Washington. Although it was Thomas Jefferson who authored the Declaration, it was actually written in the handwriting of Timothy Matlack, a patriot who fought in the Revolution. Fertigo Script is an addition to the Fertigo family, designed by Dutch designer Jos Buivenga of the exljbris Font Foundry.Īmerican Scribe is a typeface designed by Brian Willson that is based on the Declaration of Independence. Its tall x-height and open letterforms make the font both legible and inviting. Nearly all the lowercase characters are connecting in this upright design. So without further ado, here are five Adobe script fonts worthy of your consideration.įertigo Script is a warm, sturdy, connecting script with a lyrical, calligraphic touch. I selected the following script fonts for the originality and overall cohesiveness of the design, as well as details such as integrity of the connections, consistency of strokes, character width, spacing and kerning, and overall impact. This article begins a series of posts to help you quickly identify some of the best Adobe fonts to use in InDesign. The result is a wide range of inspiring fonts available for all the tools you use to get your work done each day. Adobe Fonts brings fonts from dozens of foundry partners into one library for quick browsing, easy use on the web or in applications, and endless typographic inspiration. But you might not be familiar with the details of all of their offerings. The Adobe fonts can now be downloaded from GitHub, as can Google’s version of the family, Noto Sans CJK Variable.Most designers have heard of Adobe Fonts, which provides thousands of fonts to subscribers of Adobe Creative Cloud. This release extends what was already an accessible, multiscript gothic sans serif that worked well both in print and on screen into an even more nimble, highly performant typeface. This can be compressed even further to 4.1 MB as WOFF2.Īlthough Source Han Sans Variable represents only a minor update to the previous 2.002 release in terms of design and features, it is a major update on the level of footprint and performance. For instance, the seven Japanese subset static fonts totaling 32.1 MB weigh only 8.1 MB for the OTF variable font. The regional subset fonts are even smaller. The full set of static Pan-CJK Source Han Sans 2.002 fonts weighs in at 593.7 MB, but the matching variable fonts packaged as a single OTC file are only 32.9 MB. The biggest savings, however, comes from the combination of variable fonts and OpenType Collections. For example, all seven fonts for a single region can be cut from 118 MB to 31 MB. This new format also decreases file sizes dramatically. Designers can select any value in between, creating subtle typographic hierarchies and effects according to their needs. This affords typographers more granular control: rather than seven static weights ranging from ExtraLight to Heavy, weight exists on a continuum and is expressed through minimum and maximum numeric values. The existing seven weights of Source Han Sans now come in a single file that encompasses the entire design space. With the announcement of OpenType Font Variations in 2016, it was only a matter of time before existing fonts would adopt the technology - and that time has come for Source Han Sans.
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